So… this will be a first. A review for a thing BEFORE it’s
released to the public. What are we reviewing this week? It is my genuine
pleasure to present to you… the review… for Amazing
Spiderman 2.
When I was a kid, I grew up loving Spiderman. Yeah, the
concept was ridiculous and the villains were silly in comparison to the
villains of the other Saturday morning cartoons. Hell, even the Batman villains
were fairly straight-forward by comparison when comparing the animated shows.
But there were little aspects of Spiderman I absolutely loved as a kid that
makes me keep coming back to this franchise one way or another. It’s colorful.
It has moments of genuinely entertaining humor. It has a diverse case of B-List
villains, but all of which are still more entertaining than watching Lex Luthor
fight Superman for the millionth time. And despite all of the stupid bullshit
revolving around Spiderman (clone saga anyone?), I can’t get past the moral
lessons it imparted onto me as a child. In short, I had a great childhood
because I was able to enjoy stuff like Spiderman.
Which is why it always disappoints me when Sony opens up
their closet to bring out the dead corpse of Spiderman they refuse to give back
to Marvel/Disney time after time simply because while that corpse is still in
their closet, they can still shake some pennies from it to save their somewhat
floundering company (less floundering since the PlayStation 4 launch, but still
not great). They had a good run at first, but then Spiderman 3 was evidence to show that Sony shouldn’t have gotten
involved with the project and just have Sam Raimi run the whole show. They
didn’t learn their lesson and we got the reboot known as Amazing Spiderman, which was a lackluster piece of trash that was
worse than all of the previous trilogy by being boring, having no real
conclusion to most of the plot points, and forcing that stupid plot with the
parents down our throat like they are actually relevant characters. With these
set-backs, you’d think Sony would have learned their mistakes going into Amazing Spiderman 2 and work to make the
movie functionally better on some level…
… I hate to say it, but they really drop the ball here in a
lot of annoying ways.
Let’s get some of the good bits out of the way quickly so we
can jump into the rotten core of this putrid mess they dared to call a film.
First, any scene with Emma Stone is better by sheer virtue of Emma Stone being
on the screen. It’s just a shame that most of her scenes are shared with Andrew
Garfield, who I still am not convinced is a good Peter Parker (more on that
later). They do some interesting things with her in this movie that I’ll also
get into later, but what’s really sad is for being the best part of this
franchise, she’s not in this movie (or this franchise) very much.
Next we have Spiderman himself. Admittedly, the costume has
improved in ways I can give some kudos to, and the webslinging segments are
pretty well-done, especially because we’re not having Spidey do that stupid
bullshit with the cranes like in the last film. And while the action scenes in
which he fights Electro and Green Goblin are somewhat cartoonish and feel like
I’m watching a video-game cutscene, they are “alright”. And by “alright” I mean
significantly better than the actions scenes from the previous film and
significantly better than other scenes within this film. They all still pale in
comparison to the Dr. Octopus fight scene on the train in Spiderman 2, but that’s like comparing the puzzles of Portal 2 to the puzzles of Portal 1. Good or not, Portal 1’s puzzles were still more
challenging and fun. And Spiderman 2
will always have the best action scene of the Spiderman movies because Sam
Raimi is just a better filmmaker than Mark Webb.
And… that’s it for the good news. So let’s start hashing out
all the bad. First, a repeat of what we got from the last movie that didn’t
improve going into this film. While Emma Stone is great, every conversation she
has with Peter Parker is just awkward teenage drama and mumbled talking making
those scenes difficult to really get into. Yes, I get that teenage romance is
awkward. Hell, romance is awkward in general. But that doesn’t help convey
characters or a story in an entertaining way. And when you shovel multiple
pointless romance scenes in what was advertised as a comic-book super hero
action movie, you’re really just wasting our times when all we paid for was to
see Spiderman swing from rooftops and punch funny animal-themed villains in the
face.
The characterization of Peter Parker is still broken like
before, and I really think it’s just that Mark Webb or Sony or both fail to
understand the concept of this character living his double life. Much like
Batman, Peter isn’t always channeling his Spiderman persona. In other words,
Peter isn’t always an arrogant jokester and annoying prick, especially when
he’s not behind the mask. But, like in the last movie, that characterization is
gone and he’s just an annoying prick all the time. While this isn’t such a big
deal, it really prevents any real character arc. Though, in this movie, we sort
of deal with it in another way, which we’ll get to in the spoiler section.
Then we also have the problems of continuing the stupid
plot-threads from before. Most notably (actually the only one since we decided
to forget about avenging Uncle Ben’s death entirely) is the whole mystery of
Peter’s Parents. Spoiler Warning, they resolve it in this movie (for the most
part) so with any luck we’ll never have to hear about them again since they
really were never important at all in the history of the Spiderman comics/TV
shows/ previous movies/etc. Also, more spoilers, the incredibly obvious fact
that Peter’s dad is the one who created the spiders and is responsible for pretty
much everything that’s happened in these movies is also revealed. But, again,
that’s not a surprise because…
Once again, everything seems to lead back to OsCorp in one
way or another. Emma Stone works there. Dr. Conners (aka the Lizard ) used to
work there until he was thrown into some kind of jail. Harry Osborn (in this
film) inherits the place when his father dies (sadly) and he ends up becoming
the Green Goblin in this movie. Max Dillion also works there, and he becomes
Electro in this movie within the first 20 minutes (I think). Not to mention
Harry’s assistant (for a while) is Felicia Hardy (also known as Black Cat) and
the guy who basically forces Max Dillion into the dangerous situation that
makes him become Electro is Alistar Smythe (aka… Alistar Smythe who, in the
animated show, was the right-hand man to the Kingpin). And, at the end of the
movie, we see the octopus arms, vulture wings, and rhino-suit used for the
other villains that will be making an appearance (the last one being the one that
makes the appearance at the very end of the film that was spoiled in the
trailers).
My biggest issue is that Spiderman’s diverse cast of
colorful villains are all reduced to a series of stupid lab accidents that all
take place in the same company caused by generally the same people. Do you have
any idea how boring and predictable that makes this movie? Do you realize how
small the world feels whenever everything is tied back to one company/building
in this world? Sony is planning some “Avengers-style” universe building with
the Spiderman Franchise, but I can’t see how when their plan seems to be making
the Spiderman world feel like it takes places all inside one tiny box.
Meanwhile Avengers constantly expands going from just being in a cave with a
box of scraps to being in space with a talking raccoon and Vin Disel playing a
tree named Groot.
What’s more, every villain has the weakest motivation to be
evil in this film. The Rhino’s evil because he’s a criminal and hates Spiderman
for imprisoning him. That’s fair. Electro’s reason is that he worshipped
Spiderman to the level of being a creepy stalker prior to his transformation.
Spiderman tries to help him when Electro is first being Electro. During that
time, Spiderman says no one is going to hurt you and a trigger happy officer
shoots at Electro (doesn’t kill him) and Electro immediately assumes Spiderman
betrayed him and has to die. Mentally unstable? Sure, but that’s pretty weak
motivation to go on a rampage against Spiderman when it was totally out of his
control.
Then there’s the Osborn family. God, I wish it was Ozzy
Osborne. So Norman Osborn dies within the first 30 minutes of the movie,
already fucking the original canon of the franchise by removing the first
actual Green Goblin. I guess it was assumed no one could live up to Willem
Dafoe’s performance so why bother trying, right? He dies of a disease That’s
both genetic and not explained very well. Harry has it too and so he has to
find a way to not die. Rummaging through the OsCorp research, he discovers the
same spider-experiment that gave Peter his powers could also make him healthy.
So Harry asks Peter (Spidey’s photographer) if he can get Spiderman’s blood.
Peter declines as both Peter and Spidey, both giving very valid reasons as to
why. And so Harry goes on his own “YOU BETRAYED ME” bitch-fest that ultimately
leads him to becoming Green Goblin.
Let me point out something here, this film introduces Harry
into the picture and establishes the relationship between him and Peter right
off the bat like they’ve been buddies forever, but it seems to forget the
audience was just introduced to him. So all this effort into introducing and
characterizing him feels rushed and forced, ultimately making his decent into
madness and becoming the Green Goblin less of an investment. It was a bummer
when James Franco becomes the goblin because we were there to see his father
treat him like shit. We were there when he mourned for his father. We were
there when he took over OsCorp and had great intentions with it. This new guy
is a lot like Spiderman 3’s Venom, in
the sense we’re just introduced to the guy and he becomes the bad guy for the
last five minutes of the movie. And we all know how well that was received.
One thing I thought of numerous times was that shitty
NetFlix show I mentioned a few reviews back, Hemlock Grove, and I feel like it’s a pretty bad sign when you’re
trying to enjoy a movie and all it does is remind you of the worst TV show
you’ve forced yourself to watch. From awkward discussions between characters,
bad dialogue, the fact everything is tied to this giant fucking corporation in
the middle of the city, and even the one transformation sequence when Harry
finally becomes the Goblin all had a distinct cheap and lazy vibe to them. In
fact, the transformation sequence felt a lot like that scene when the wolf-kid
turns into the werewolf and I immediately lost all interest in what was
happening for the most part.
And that’s been the general feel of this whole new reboot
enterprise for Spiderman anyway. It’s all felt very cheap and lazy in terms of
the filmmaking, writing, and design. It FEELS cheap, but I am certain those
heavy CGI fight scenes that look like they’re from a PS2 video game cut scene
cost a lot more than what Sony is willing to actually admit, much like Warner
Bros’ Green Lantern. And a movie that
feels this cheap while having spent way more than it should to be what it is
deserves to bomb hard for simply not living up to any level of decent
expectations. It won’t because it’s Spiderman. And by virtue of that, it’s like
to be a top 10 box office contender for the year. It shouldn’t be because it’s
bad and you shouldn’t go see it. But I guarantee 7/10 of you probably will.
What I CAN commend this film for is having balls to do
something right. Spoilers ahead from this point on, so you might what to cover
your eyes and leave the room. Don’t uncover until you’ve walked outside and
possibly into a street. Anyway, spoilers are what I expected from the very
beginning of the film during Gwen Stacey’s graduation speech, and it’s that she
dies at the end of the film during the fight with Green Goblin. She dies in
much of the same way she does in the comics, just a different location caused
by a shittier version of the Green Goblin.
The reason I can commend the film (somewhat) is that it has
the balls to kill off a central character. Not only that, but to kill off the
only good aspect of this movie in the spirit of doing at least one thing right
from the comics. But these commendations are swiftly taken away because the
first half of the movie spends its time throwing heaping buckets of
foreshadowing that Spiderman/Peter is going to have to be willing to move on,
accept sacrifices, and deal with loss. Gwen basically has a glowing neon sign
over her head saying “I WILL NOT BE IN SPIDERMAN 3! THANK CHRIST!”
What annoys me most about this though is that despite the
fact you killed Gwen Stacey off properly in what is likely the dumbest move you
can make before you conclude the trilogy, you still never paid respect to the
death of Uncle Ben. A death that is likely more important to the origin of
Spiderman as a whole. Sure, Gwen may have jostled Peter to a point that made
him the man he is today, but Spiderman would never have existed if not for the
death of Uncle Ben. And we still never had Peter avenge the death of his Uncle,
as one of the many plot threads that just dropped by the wayside of the first
film, and wasn’t bothered to be picked up in the second.
And while I’m nitpicking, why the fuck are you not giving me
my J. Jonah Jameson? Sony is a bigger tease with JJJ than Sakurai is with
Ganondorf in Smash Bros. We had
Jameson name dropped a couple times and Peter is noted to be working for him.
But we don’t get any fun scenes at the office where Jameson treats him like
shit and makes lies about Spiderman. You know what we get? A five second look
at Peter’s email screen where an email reads, “These picture are crap.” Bravo
Sony. Way to tease the existence of my favorite character and basically admit
you can’t recast the last guy for whatever reason, so you won’t even bother to
TRY and get someone else. And while you’re at it, pull your dick out of my
face.
Other minor nitpicks include the number of scenes we just
see Peter sitting at a computer researching or looking up information, or even
just watching a video. I thought I was paying to see a Spiderman film, not a
“Peter uses Google instead of Bing” film. Which reminds me, there’s not a lot
of Spiderman in my Spiderman movie, which is a very similar complaint I had in Dark Knight Rises, which I remember say,
‘Gee, there sure isn’t a lot of Batman in this Batman movie’. As I mentioned
earlier, most of it is just a mix of awkward dialogue between characters
(mostly shitty love scenes between Emma Stone and Peter Parker) and Peter being
on a computer.
One last complaint I have is how many times I noticed the
word “Amazing” used in the dialogue. This was even called out in a scene with
Max Dillon when he actually said the title “Amazing Spiderman.” And I remember
one scene between Emma Stone and Peter when the word amazing was used at least
3 times, which gets really annoying when all you can think of is the to say the
word “Spiderman” after each one because you know that’s what they’re going for.
In conclusion, if I had to describe Amazing Spiderman in a few short words, it would be this: It’s a
weak and flimsy film that fails on multiple levels to be anywhere near as
engaging as any other Spiderman film or even most other super hero films. It’s
depressing how many times the public will allow Sony to screw up this franchise
before they stop caring about it. I don’t recommend seeing it if you don’t have
to. And if you didn’t see the first Amazing
Spiderman, you have even less reason to watch either since both are mostly
terrible. All potential this film COULD have had was pissed out the window with
the special effects budget and any hope this franchise had of being worthwhile
in the hands of Sony. I am now just waiting for the day when Marvel finally has
the film rights back and we can start getting good films again.
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